Books
Encuentros fortuitos. Agencialidad en conflicto y poder en movimiento en el cine hispano. Eds. Jorge González del Pozo and Inela Selimović. Madrid: Iberoamericana/Vervuert, 2023.
The Feeling Child: Affect and Politics in Latin American Literature and Film. Eds. Philippa Page, Inela Selimović, and Camilla Sutherland. Lanham: Lexington Books, 2018.
Affective Moments in the Films of Martel, Carri, and Puenzo. London: Palgrave Macmillan, 2018.
Articles and chapters
"El actor principal (2019) de Paula Markovitch: Intimidades ajenas, pasados políticos." Encuentros fortuitos. Agencialidad en conflicto y poder en movimiento en el cine hispano. Eds. Jorge González del Pozo and Inela Selimović. Madrid: Iberoamericana/Vervuert, 2023. 211-237.
"Sepulchral Intermediality in Paula Markovitch's Armando y Genoveva (2013)." Mistral: Journal of Latin American Women's Intellectual & Cultural History 3.1 (2023): 100-114.
"Foreign Intimacies and Political Pasts in Paula Markovitch's El actor principal (2019)." Journal of Latin American Cultural Studies 32. 3 (2023): 487-507. [https://doi.org/10.1080/13569325.2023.2239171]
"El niño pez (2009) de Lucía Puenzo: intimidades en flujo, habitar afectivo." Inusuales. hogar, sexualidad y política en el cine hispano. Eds. Jorge González del Pozo and Inela Selimović. Madrid: Iberoamericana/Vervuert, 2020. 39-62.
"Unorthodox Homes in Pablo Trapero's Leonera (2008) and El clan (2015): Shattered Lives, Political Selves." Chasqui 48. 2 (2019): 34-52.
“Coached Feelings and Political Resocializations in Paula Markovitch’s El premio (2011).” The Feeling Child: Affect and Politics in Latin American Literature and Film. Eds. Philippa Page, Inela Selimović, and Camilla Sutherland. Lanham: Lexington Books, 2018. 25-48.
"Sensorial Youths: Gender, Eroticism, and Agency in Lucrecia Martel’s Rey muerto (1995).” New Visions of Adolescence in Contemporary Latin American Cinema. Eds. Geoffrey Maguire and Rachel Randall. London: Palgrave Macmillan, 2018. 81-98.
"Gastón Biraben’s Cautiva: An Instance of Enduring Grief.” Bulletin of Hispanic Studies 93.4 (2016): 421-438.
“The Social Spaces in Mutation: Sex, Violence and Autism in Albertina Carri’s La rabia (2008).” Journal of Latin American Cultural Studies 24. 4 (2015): 517-533.
“Seeing Voices: Srebrenica’s Filaments of Memory.” Stitching Resistance. Ed. Marjorie Agosín. Tunbridge Wells: Solis Press, 2014. 74-86.
“Mapping Urban Sites of Resistance in Diamela Eltit’s Los vigilantes.” Confluencia 25. 2 (2010): 122-130.
“Sexing of the City: Desire, Memory, and Trauma in Luisa Valenzuela’s La travesía.” Revista Hispánica Moderna 60. 2 (2007): 205-219.
special issue(s)
Interrupted Frames: Gender and Intermediality, co-edited with Camilla Sutherland, Mistral: Journal of Latin American Women's Intellectual & Cultural History 3.1 (Fall 2023): here.
REVIEWS
Ángeles (2024) by Paula Markovitch. Mistral: Journal of Latin American Women's Intellectual & Cultural History 3.2 (2023): 126-127.
Óyeme con los ojos: cine, mujeres, visiones y voces (2018) by Ana Forcinito. Revista de Estudios de Género y Sexualidades 48. 2 (2022): 191-193.
Memorias trenzadas by Marjorie Agosín. Mistral: Journal of Latin American Women's Intellectual & Cultural History 1. 1 (2021): https://doi.org/10.21827/mistral.1.37513.
Intermittences: Memory, Justice, & the Poetics of the Visible in Uruguay by Ana Forcinito. Human Rights Quarterly 42. 2 (2020): 986-989.
The Taste of the Earth by Hedy Habra. World Literature Today (Autumn 2019): 116-117.
Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency by Rachel Randall. Bulletin of Hispanic Studies 96. 4 (2019): 451-53.
Las cosas que perdimos en el fuego by Mariana Enríquez. Chasqui 46. 2 (2018): 13-15.
Las islas blancas by Marjorie Agosín. Chasqui 46. 2 (2017): 11-12.
El clan by Pablo Trapero. Chasqui 46. 1 (2017): 44-46.
Surviving the Bosnian Genocide: The Women of Srebrenica Speak by Selma Leydesdorff. Human Rights Quarterly 38. 2 (2016): 534-536.
Asylum and Exile by Bidisha. Human Rights Quarterly 38. 1 (2016): 230-232.
Screening Minors in Latin American Cinema by Carolina Rocha and Georgia Seminet (eds.). Revista Canadiense de Estudios Hispánicos 38. 3 (2014): 625-628.
That Someone Guilty Be Punished: The Impact of the ICTY in Bosnia by Diane Orentlicher. Human Rights Quarterly 33. 3 (2011): 890-93.
Tres por cinco by Luisa Valenzuela. Letras Femeninas 35. 2 (2009): 90-91.
VITA: Life in a Zone of Social Abandonment by João Biehl. Arizona Journal of Hispanic Cultural Studies 9 (2005): 299-301.
Figuraciones: mujeres en Carmen Martín Gaite, revistas feministas y ¡Hola! by Lissette R. Collazo. Arizona Journal of Hispanic Cultural Studies 7 (2003): 302-03.
ESSAYS AND INTERVIEWS
"Entrevista a Paula Markovitch." Mistral: Journal of Latin American Women's Intellectual & Cultural History 3.1 (2023): 119-122.
"Epilogue. On Cinematic Disobedience." Contemporary Argentine Women Filmmakers. Eds. Mirna Vohnsen and Daniel Mourenza. London: Palgrave Macmillan, 2023. 251-255. https://doi.org/10.1007/978-3-031-32346-1_15
"Las paradojas exquisitas de Paula Markovitch: Segunda Parte." La Jornada Zacatecas,12 September 2022, https://ljz.mx/13/09/2022/las-paradojas-exquisitas-de-paula-markovitch-2/.
"Las paradojas exquisitas de Paula Markovitch: Primera Parte." La Jornada Zacatecas, 5 September 2022, https://ljz.mx/05/09/2022/las-paradojas-exquisitas-de-paula-markovitch/.
"La marginación empoderada en El actor principal (2019) de Paula Markovitch." La Jornada Zacatecas, 9 August 2021, https://ljz.mx/2021/08/09/la-marginacion-empoderada-en-el-actor-principal-de-paula-markovitch-2019/.
“Srebrenica and Rwanda, Twenty Years Later: Poetry as Renewal in Marjorie Agosín’s Madre, háblanos de la guerra.” World Literature Today 88. 3 (2014).
“The In-betwixt Self: Ariel Dorfman’s Feeding on Dreams.” Human Rights Quarterly 34. 2 (2012): 570-78.
“Hope and Survival: Poetry as the Affirmation of Life.” Writing, Witnessing, Becoming: Human Rights in Marjorie Agosín’s Poetry, ed. Valerijan Žujo. Sarajevo: Sarajevo National Library University Press, 2011. 5-21.
“A Note from Bosnia and Herzegovina: Leading a Displaced Life.” Human Rights Quarterly 33. 2 (2011): 397-201.