BOOKS
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​​​The Cinema of Paula Markovitch: Contested Marginality. Edinburgh: Edinburgh University Press, 2025. ​​​​
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Affective Moments in the Films of Martel, Carri, and Puenzo. London: Palgrave Macmillan, 2018.
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Co-Edited VOLUMES
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Imágenes de aflicción. Cine, género y literatura. Eds. Marta Pérez-Carbonell and Inela Selimović. Madrid: Iberoamericana/Vervuert, forthcoming.
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Encuentros fortuitos. Agencialidad en conflicto y poder en movimiento en el cine hispano. Eds. Jorge González del Pozo and Inela Selimović. Madrid: Iberoamericana/Vervuert, 2023.
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The Feeling Child: Affect and Politics in Latin American Literature and Film. Eds. Philippa Page, Inela Selimović, and Camilla Sutherland. London: Bloomsbury, 2018. ​
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Articles and chapters ​
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"Raw Memories in Paula Markovitch's Anita (2016)." Affects and Emotions in Latin American Documentary. Ed. Elizabeth Rivero, forthcoming.
"La intimidad rizomática en Cacerías imaginarias (2022) de Paula Markovitch." Nuevas perspectivas de la teoría de la literatura y la literatura comparada. Eds. Flavia Kaba, Jorge González del Pozo y Fernando Cid Lucas. Tirana: EDFA, forthcoming.
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"El actor principal (2019) de Paula Markovitch: Intimidades ajenas, pasados políticos." Encuentros fortuitos. Agencialidad en conflicto y poder en movimiento en el cine hispano. Eds. Jorge González del Pozo and Inela Selimović. Madrid: Iberoamericana/Vervuert, 2023. 211-237.
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“Introducción. Hacia una teorización del azar en el cine hispano.” Encuentros fortuitos. Agencialidad en conflicto, poder en movimiento en el cine hispano. Eds. Jorge González del Pozo e Inela Selimović. Madrid: Iberoamericana Vervuert, 2023. 13-36.
"Sepulchral Intermediality in Paula Markovitch's Armando y Genoveva (2013)." Mistral: Journal of Latin American Women's Intellectual & Cultural History 3.1 (2023): 100-114.
"Foreign Intimacies and Political Pasts in Paula Markovitch's El actor principal (2019)." Journal of Latin American Cultural Studies 32. 3 (2023): 487-507. [https://doi.org/10.1080/13569325.2023.2239171]
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"El niño pez (2009) de Lucía Puenzo: intimidades en flujo, habitar afectivo." Inusuales. hogar, sexualidad y política en el cine hispano. Eds. Jorge González del Pozo and Inela Selimović. Madrid: Iberoamericana/Vervuert, 2020. 39-62.
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“Introducción.” Inusuales: hogar, sexualidad y política en el cine hispano. Eds. Jorge González del Pozo e Inela Selimović. Madrid: Iberoamericana Vervuert, 2020. 13-38.
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"Unorthodox Homes in Pablo Trapero's Leonera (2008) and El clan (2015): Shattered Lives, Political Selves." Chasqui 48. 2 (2019): 34-52.
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“Coached Feelings and Political Resocializations in Paula Markovitch’s El premio (2011).” The Feeling Child: Affect and Politics in Latin American Literature and Film. Eds. Philippa Page, Inela Selimović, and Camilla Sutherland. Lanham: Lexington Books, 2018. 25-48.
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“Introduction.” The Feeling Child: Affect and Politics in Latin American Literature and Film. Eds. Philippa Page, Inela Selimović, and Camilla Sutherland. Lanham: Lexington Books, 2018. 1-24.
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"Sensorial Youths: Gender, Eroticism, and Agency in Lucrecia Martel’s Rey muerto (1995).” New Visions of Adolescence in Contemporary Latin American Cinema. Eds. Geoffrey Maguire and Rachel Randall. London: Palgrave Macmillan, 2018. 81-98.
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"Gastón Biraben’s Cautiva: An Instance of Enduring Grief.” Bulletin of Hispanic Studies 93.4 (2016): 421-438.
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“The Social Spaces in Mutation: Sex, Violence and Autism in Albertina Carri’s La rabia (2008).” Journal of Latin American Cultural Studies 24. 4 (2015): 517-533.
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“Seeing Voices: Srebrenica’s Filaments of Memory.” Stitching Resistance. Ed. Marjorie Agosín. Tunbridge Wells: Solis Press, 2014. 74-86.
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“Mapping Urban Sites of Resistance in Diamela Eltit’s Los vigilantes.” Confluencia 25. 2 (2010): 122-130.
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“Sexing of the City: Desire, Memory, and Trauma in Luisa Valenzuela’s La travesía.” Revista Hispánica Moderna 60. 2 (2007): 205-219.
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SPECIAL ISSUES​​
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In Loving Memory of Marjorie Agosín - in preparation.
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Interrupted Frames: Gender and Intermediality, co-edited with Camilla Sutherland, Mistral: Journal of Latin American Women's Intellectual & Cultural History 3.1 (Fall 2023): here.
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​REVIEWS​
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Ángeles (2024) by Paula Markovitch. Mistral: Journal of Latin American Women's Intellectual & Cultural History 3.2 (2023): 126-127.
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Óyeme con los ojos: cine, mujeres, visiones y voces (2018) by Ana Forcinito. Revista de Estudios de Género y Sexualidades 48. 2 (2022): 191-193.
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Memorias trenzadas by Marjorie Agosín. Mistral: Journal of Latin American Women's Intellectual & Cultural History 1. 1 (2021): https://doi.org/10.21827/mistral.1.37513.
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Intermittences: Memory, Justice, & the Poetics of the Visible in Uruguay by Ana Forcinito. Human Rights Quarterly 42. 2 (2020): 986-989.
The Taste of the Earth by Hedy Habra. World Literature Today (Autumn 2019): 116-117.
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Children on the Threshold in Contemporary Latin American Cinema: Nature, Gender, and Agency by Rachel Randall. Bulletin of Hispanic Studies 96. 4 (2019): 451-53.
Las cosas que perdimos en el fuego by Mariana Enríquez. Chasqui 46. 2 (2018): 13-15.
Las islas blancas by Marjorie Agosín. Chasqui 46. 2 (2017): 11-12.
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El clan by Pablo Trapero. Chasqui 46. 1 (2017): 44-46.
Surviving the Bosnian Genocide: The Women of Srebrenica Speak by Selma Leydesdorff. Human Rights Quarterly 38. 2 (2016): 534-536.
Asylum and Exile by Bidisha. Human Rights Quarterly 38. 1 (2016): 230-232.
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Screening Minors in Latin American Cinema by Carolina Rocha and Georgia Seminet (eds.). Revista Canadiense de Estudios Hispánicos 38. 3 (2014): 625-628.
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That Someone Guilty Be Punished: The Impact of the ICTY in Bosnia by Diane Orentlicher. Human Rights Quarterly 33. 3 (2011): 890-93.
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Tres por cinco by Luisa Valenzuela. Letras Femeninas 35. 2 (2009): 90-91.
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VITA: Life in a Zone of Social Abandonment by João Biehl. Arizona Journal of Hispanic Cultural Studies 9 (2005): 299-301.
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Figuraciones: mujeres en Carmen Martín Gaite, revistas feministas y ¡Hola! by Lissette R. Collazo. Arizona Journal of Hispanic Cultural Studies 7 (2003): 302-03.
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ESSAYS AND INTERVIEWS
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"Entrevista a Paula Markovitch." Mistral: Journal of Latin American Women's Intellectual & Cultural History 3.1 (2023): 119-122.
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"Epilogue. On Cinematic Disobedience." Contemporary Argentine Women Filmmakers. Eds. Mirna Vohnsen and Daniel Mourenza. London: Palgrave Macmillan, 2023. 251-255. https://doi.org/10.1007/978-3-031-32346-1_15
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"Las paradojas exquisitas de Paula Markovitch: Segunda Parte." La Jornada Zacatecas,12 September 2022, https://ljz.mx/13/09/2022/las-paradojas-exquisitas-de-paula-markovitch-2/.
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"Las paradojas exquisitas de Paula Markovitch: Primera Parte." La Jornada Zacatecas, 5 September 2022, https://ljz.mx/05/09/2022/las-paradojas-exquisitas-de-paula-markovitch/.
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"La marginación empoderada en El actor principal (2019) de Paula Markovitch." La Jornada Zacatecas, 9 August 2021, https://ljz.mx/2021/08/09/la-marginacion-empoderada-en-el-actor-principal-de-paula-markovitch-2019/.
“Srebrenica and Rwanda, Twenty Years Later: Poetry as Renewal in Marjorie Agosín’s Madre, háblanos de la guerra.” World Literature Today 88. 3 (2014).
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“The In-betwixt Self: Ariel Dorfman’s Feeding on Dreams.” Human Rights Quarterly 34. 2 (2012): 570-78.
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“Hope and Survival: Poetry as the Affirmation of Life.” Writing, Witnessing, Becoming: Human Rights in Marjorie Agosín’s Poetry, ed. Valerijan Žujo. Sarajevo: Sarajevo National Library University Press, 2011. 5-21.
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“A Note from Bosnia and Herzegovina: Leading a Displaced Life.” Human Rights Quarterly 33. 2 (2011): 397-201.
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